Symbolism Archive

1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 5.00 out of 5)
Loading...

La fornarina was a skillful depiction by high-renaissance artist Raphael. It resembles with Leonardo’s Mona Lisa in terms of the posture, use of the model and the alleged idea behind the portrait. It also includes some elements of popular painting style Chiaroscuro which Raphael borrowed from Caravaggio. La Fornarina, Raphael’s Mistress It is said that the model seated for the portrait was Raphael’s real life model called Margarita Luti. The title of the painting means “the baker’s daughter”. According to Giorgio Vasari, the renaissance period art historian, Raphael was “a very amorous man’ and often looking for ‘amorous pleasures’. Allegedly, during his life he had many mistresses one after another, including daughters of his patrons. Margarita Luti appeared in Raphael’s another portrait La Velata as […]

Read More...

, , , , , , , , , , , ,

1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 3.00 out of 5)
Loading...

Lady with an Ermine is one of the four ladies painted by Leonardo, other three being Mona Lisa, La belle ferronnière and Ginevra de’ Benci. The Lady with an Ermine has segments of Pentimento as by radiography. A window has been detected on the upper right side, which was deleted later on by the artist. The painting consist some work called “Moti Mentali” meaning mental emotions. The term was mostly referred to Leonardo’s work and means the artist’s ability to depict the real mental thoughts, emotions and disposition of the subject on his/her face. That’s the painting has been described as “signaling a breakthrough in the art of psychological portraiture.” Another noticeable element is artist’s little use of his well-known style of Sfumato around the subject’s […]

Read More...

, , , , , , , , , , ,