Mariotto Albertinelli, the pupil of Cosimo Rosselli, ran a workshop with Fra Bartolomeo, and like him shared an interest in the painting of Perugino, whose illuminating example is apparent in this work, unanimously considered to be his masterpiece. However, we cannot fail to notice also the monumentality of the figures and the geometrically divided landscape, influences, these, of Fra Bartolomeo. The spatial breadth is still characteristic of Perugino, but the narrative content is more vigorous.
Hierarchy Archive
Painting Hierarchy or the Hierarchy of Genres are the six main types of painting:
1. History Painting
2. Portrait Painting
3. Genre Painting
4. Landscape Painting
5. Animal Painting
6. Still Life Painting
Most of the paintings falls in one or more of these categories and are defined, interpreted accordingly.
This is an early work of the artist. Featuring the Virgin adoring the Child with the help of an angel who hands him some of the instruments of the Passion, it is formally rather weak in its awkward spatial and figural relationships.
In 1621, Ferdinando Gonzaga, the Duke of Mantua, commissioned a series of The Story of Venus for his Villa Favorita. Completed in 1633, these pictures are enlarged versions of the round compositions of a cycle formerly executed for the prince Borghese towards 1615-17. The Cupids Disarmed belongs to the series.
Francesco Albani, an exponent of the classical ideal, chose a format for his four tondos which, in his own words, “softened” his pictorial expression. The subject matter is taken from Philostratus (Eikones I,6) who describes the games of cupids throughout the four seasons: throwing apples in spring, the fiery furnace of summer, Venus and Adonis taking their farewell in autumn and sleep in winter.
Francesco Albani, an exponent of the classical ideal, chose a format for his four tondos which, in his own words, “softened” his pictorial expression. The subject matter is taken from Philostratus (Eikones I,6) who describes the games of cupids throughout the four seasons: throwing apples in spring, the fiery furnace of summer, Venus and Adonis taking their farewell in autumn and sleep in winter.
Francesco Albani, an exponent of the classical ideal, chose a format for his four tondos which, in his own words, “softened” his pictorial expression. The subject matter is taken from Philostratus (Eikones I,6) who describes the games of cupids throughout the four seasons: throwing apples in spring, the fiery furnace of summer, Venus and Adonis taking their farewell in autumn and sleep in winter.


















