The view is probably a capriccio of various of the abbeys set among ponds in the rolling woodland to the south and east of Brussels.
Paintings in Private collection
Cephalus and Procris were in Greek mythology a young couple, newly married, whose love was destined to end in tragedy. The figures in the painting are probably by another hand most likely to be Alsloot’s principle collaborator, Henderick de Clerck.
The present portrait belongs to the early part of the artist’s career, cut short by his untimely death in 1845.
In England Agasse was praised for his extreme devotion to art, of his marvellous knowledge of anatomy, of his special fondness for the English racehorses, and his excellence in depicting them.
The picture depicts a still-life with peaches and grapes fallen from an over-turned basket, resting on a partly-draped marble ledge. The painting has been reduced from a vertical to horizontal format, resulting in the loss of the signature.
Willem van Aelst was a still-life specialist prized for his lovely flower and fruit pieces, and he has been mentioned as a sometime follower of Kalf. He also painted a number of elegant game pictures in a clear light. They show close views of dead prey – occasionally accompanied by killed poultry – that include scrupulously painted guns, hunting bags and horns, bells and other gear of the sport. As most trophy pieces they were designed as representative pictures of the sport, not records of the spoils of a specific hunt. In this picture the painter displayed the finely worked equipment of the huntsman on a marble ledge: a velvet hunting bag with chamois strap, trimmed with gold embroidery and fringes, and a tasseled horn. […]




















