Paintings in National Gallery London
Among the many series of self-portraits, family members, peasants, still-life, cypresses and farmers there, he produced a series of sunflowers proclaiming: “You may know that the peony is Jeannin’s, the hollyhock belongs to Quost, but the sunflower is mine in a way.” The current still-life painting is from the same series being as the forth version of the sunflowers. He painted it while his stay in Arles in 1888 just two years before his death. His fascination towards sunflowers was due to his intention to decorate his house just before his beloved friend Paul Gauguin (the same friend with whom he had the infamous fight) intended to come at his house for some times. There is his signature visible on the left side of the […]
In the background to the right, the Charterhouse at Pavia is seen in the course of construction which suggests the dating for this picture. Bergognone was one of the leading painters in Milan at the time, and made several paintings for Pavia